Posts tagged ‘piano playing’
A lot of people have told me that I should get piano lessons because it would help me with oboe. I have always wanted to take piano lessons, but I don’t have a private instructor for oboe right now so should I focus on finding one or should I look into piano lessons?
I have been oboe for about 3 years and have been witout an instructor for almost a year.
Organ and Keyboard Sheet Music
The piano has come a long way since it’s invention 500 years ago. The original version has now been replicated and improved countless times, resulting in a large number of different piano styles and with the latest technology, digital pianos have cropped up and become a popular alternative. But which one is right for you? That depends greatly on what you intend to do with your piano playing and what your budget is. However, there are many pros and cons for both sides.
Acoustic Piano
The acoustic piano is a complicated structure. Touching the keys results in a hammer hitting a string, which then vibrates and the sound produced is amplified by the piano`s soundboard. This provides a rich, true piano sound, which is quite valued at concerts and recitals. However, an acoustic piano requires a lot of space, upkeep and money.
Things to Consider When Choosing an Acoustic Piano
• Acoustic pianos need regular tuning, particularly if there are changes in the weather or if the piano is moved.
• Nothing compares to the full-bodied sound provided by an acoustic piano.
• These pianos allow the artist to play softly or loudly, depending on the mood of the piece . . . the piano responds to the touch of the pianist.
• Acoustic pianos are large, weighing between 450 and 1,000 pounds and take up a large part of a room.
• Affordable acoustic pianos are usually wrought with flaws and not worth buying . . . but for many, a true, good quality one is simply beyond their budget.
Digital Piano
A digital piano is one that is a replica of an acoustic piano. Rather than contain the strings and mechanisms to produce the sound, digital pianos just use recorded notes from a real piano. There are definite advantages to using one of these instruments and they are often used by bands who need an easily portable instrument, but there are definite down sides, as well.
Things to Consider When Choosing a Digital Piano
• Digital pianos are considerably cheaper than acoustic.
• There is very little sensitivity in the digital key, meaning that true interpretation of many piano pieces is simply not possible.
• Some piano teachers will not teach students who only have access to a digital piano.
• These instruments are quite light and portable, some even come in their own carry bag.
• A high end digital piano offers a wide range of styles and features, including drum tracks and recorded notes from a variety of other instruments and types of pianos.
• Digital pianos don’t need to be tuned, making them very useful in humid areas or where the weather changes drastically.
The debate of traditional acoustic pianos vs. digital ones has been around as long as digital pianos. Classical piano students insist that an acoustic piano is the best and to be honest, the digital piano is only an imitation, albeit a very good one these days. Even with the best technology, digital pianos are simply not able to live up to the original acoustic.
However, this doesn’t rule out digital pianos completely. They are still extremely useful for the piano student on a budget or for anyone who has little space in their home for a large acoustic piano. Bands also find the more portable version to be easier to use, since it doesn’t require tuning and can easily be packed up and moved to the next gig. In the end, it depends on your intent, as well as a few other factors, such as budget and space, as to whether or not you will go with an acoustic or a digital piano.
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The average person considers music to be a singular language. It is one of the oldest vehicles of communication, capable of expressing emotion and often having a profound effect on its listeners. However, the ability to appreciate music in its multiple forms is often ignored. We agree that bilingual people have an advantage over those who only know one language. In October 2001, the Juilliard School of Music, renowned for its unparalleled classical instructors and performers, added jazz to its academic curriculum. The world’s finest music institution is only one of a growing number of supporters backing a combined education in both classical and jazz for children and young musicians.
To express oneself in any language, one must first understand the language phonetically (learning by ear) before learning to read and write. To read and write a language, one must be familiar with its structure. In parallel, someone foreign to a language may have a more structured and scientific understanding than a native speaker. As a child, I was always fascinated when my uncle, a doctor of linguistics, would ask me, “How do you say that in English?” He was asking how to express the language colloquially and with English as my first language, it was natural to me.
Children learn foreign languages naturally by ear. On the other hand, adults tend to learn languages logically and methodically, referring back to their native language for comparison. It is obvious which method is easier; if one is brought up in a specific culture, it is easier to learn that culture’s language via naturally rather than via studious reading. Furthermore, when one understands and grows up in their native culture, one can understand the nuances of its language. For example, English speakers have varied dialects that differ depending on geography. There are noticeable differences in dialects between people from Canada’s west coast, east coast and the prairies. They all speak the same language but exhibit nuances that are inherent within their cultural structure.
Understanding music requires a similar method. Before learning to read or sight-read, one should be familiar with pitch. However, this is rarely the case in music education where the emphasis is on reading and not listening. Both classical and jazz artists employ a musical alphabet, but they use it in different ways. Jazz is a sophisticated language that is commonly overlooked in lieu of a “traditional” classical music upbringing. Growing up as the only Korean children in school, my sister and I were told by our Grade 1 teacher not to speak Korean at home, supposedly as it would confuse our understanding of English. Nevertheless, our father spoke English to us, and our mother spoke Korean. As a result, we can both understand Korean but not speak the language. This example demonstrates why I firmly believe children must learn both musical languages – that is, jazz and classical.
Oakridge Music Studios is a music education centre based in Vancouver, BC. The following music lessons are taught: piano lessons, guitar lessons, violin, cello, voice, singing, saxophone, trumpet. Music disciplines taught are: jazz, classical and pop music. Young musicians are encouraged to learn both classical and jazz – simultaneously – to excel and advance their music education. This unique bilingual teaching methodology of learning classical and jazz music disciplines is offered in a creative and imaginative environment to actively engage and unleash the young musician’s hidden music ingenuity and skills.
Please call us if you seeking music lessons in the Vancouver, BC area. —–
Oakridge Music Studios-a Vancouver music school
Learn Classical & Jazz Music
497 West 40th Avenue, Vancouver, BC, Canada, V5Y 2R5
tel: +1.604.321.1551 fax: +1.604.321.1555
Learn How to Play with step-by-step piano lessons
Supported by video and audio files. Rocket Piano is organized into 3 high quality books taking you on a journey from beginner to advanced in your gospel piano playing.
Descent of Finger.
Tags: Damper, Hammer, hammers, key-mechanism, keyboard, keys, Music, pianist, piano lessons, piano playing, piano stool, piano touch, sounding-board, study of the pianoAfter the position and height of the seat and the position of the player have been determined, the Pose of the fingers must be attended to. They are to be placed, according to their various lengths, on the keys, that is, touching the surface of the keys
Tags: Damper, Hammer, hammers, key-mechanism, keyboard, keys, Music, pianist, piano lessons, piano playing, piano stool, piano touch, sounding-board, study of the piano
