Mikes Music Room - Music Articles

There isn`t a parent who doesn`t want their child to be good at something and one of the more common aspirations is playing piano. There`s something about being able to dance your fingers across the ivory keys that appeals to both parents and children. The big question on every parent`s lips is “When should my child start piano?”

The younger, the better. We`ve all heard about the likes of Mozart and other child prodigies who began playing at very tender ages, 3 or 4. Getting a child into piano that early means they will have the most time possible playing, even if they don`t end up being extremely gifted in the area of music.

Introducing Young Children to Piano

You can start peaking your little one`s interest in music right from the start. Listening to classical piano while in the womb and after birth will give your child an early appreciation for the piano. They will be far more interested in playing than if you simply ignore music all together and then abruptly introduce it as you want them to play.

If you`ve decided to start your very young child in piano, it is very important to find the right teacher. Toddlers can`t and shouldn`t be expected to, focus on one thing for a long period of time. That means lessons will certainly need to be cut into smaller, more manageable bites. Most 3-4 year olds do very well with 15 minute lessons.

You really can`t expect a 3 year old to learn the same way a teen or adult would, so having a piano teacher that understands the age group and knows how to communicate effectively with a small child is vital. Without this, you`ll find that children don`t learn well and will rapidly become frustrated with the instrument. The idea is to keep it fun and enjoyable, particularly at this young age.

With a good base to build on, small children will often go on to play piano for the rest of their lives and this gift of music is definitely something that they will treasure in years to come.

Older Children and the Piano

Of course, not everyone can start their toddler in piano lessons so early. In some cases, parents may not have even considered the possibility until their older child came out and asked for lessons. This is a common scenario, where the child is the one interested in playing.

First, you`ll want to ensure that this isn`t just a passing phase. Most parents do this by requiring their children to take a minimum of one year of piano lessons. This is more than enough time to get a good taste for the music and after a year, a decision can be made, to continue on or to leave it.

Children who instigate the learning process tend to stick with it better than those who are forced into it at an early age, but they may be slower to pick up the concepts behind the music and it can be a bit of a struggle for older children to learn to read music in some cases. However, if the effort is made, it can be an excellent way to learn more about music and no one has ever done poorly because they learned to play the piano.

To make the piano lessons a success, be sure to have a way for your child to practice daily. It`s important they have this opportunity, no matter what their age. While younger is still better, that certainly doesn`t rule out older kids who are interested in learning.

Acoustic pianos have been around for about 500 years, giving the piano a long history of providing music. Despite numerous attempts to create an instrument that involved strings and a hammer, Bartolomeo Cristofori was the one who is credited with actually inventing the first acoustic piano.

The First Pianos

Cristofori built several pianos, but no one is precisely sure of when the first was created. We do know that the Medici family had one of the pianos in 1700, and evidence suggests that it was built in 1698. These early pianos were quite different from those of the modern music world, but they were a truly great invention for their time.

The difficulty with pianos was that the hammer needed to hit the wire, then return to its original place without bouncing and yet be ready to go again within moments. This was finally achieved and Cristofori managed to find a way to create this effect.

The Growing Popularity of the Piano

Despite his hard work, Cristofori was not able to make his new instrument famous. Then, in 1711, a diagram of his design was distributed and more people began to build pianos. One of them was a man named Silbermann who added the first damper pedal to enhance the sound. It was he who showed Bach his first piano, though Bach decided he didn’t like it at the time and only showed interest much later, once the instrument was refined.

In the 18th century, the Viennese began to construct pianos. These were built differently, with dual strings for the notes, leather covered hammers and elegant wooden frames. The keys were the opposite colors of today’s pianos, with the regular keys being black and the others white. Mozart used these Viennese pianos to compose his music at the time. These are now referred to as fortepianos, to differentiate them from the modern piano.

Modernization of the Piano

As the Industrial Revolution made new technology available, it became possible to build pianos with heavier strings, made of stainless steel, for a fuller, stronger sound. The size was also amplified, making it possible to have seven or more octaves, as opposed to the original five or the fortepiano.

Broadwood was the first company to build these more complex pianos, though the Viennese piano makers quickly followed suit. It wasn’t long however, before France got involved in the creation of bigger and better pianos. In 1821, Èrard began to manufacture the pianos that would be used by the likes of Chopin.

This is also the time when the double pilot action was invented by Sebastian Èrard and incorporated into the grand piano, making it possible to hit a key again even if the hammer had not yet returned to its place. This mechanism is used to this day in grand pianos.

Modern Piano Innovations

The modern piano uses a soundboard and a metal frame that allows for heavier string tension resulting in stronger sound. This has allowed for string tension of up to a combined 20 tons, something that never would have been possible in the earlier wood frame pianos.

In 1826, the usual leather covered hammers were replaced with felt covered ones by Henri Pape. This allowed for more uniform sounds and the ability to experiment with different hammer types.

A few years later, in 1844, Jean Louis Boisselot introduced the sostenuto pedal which made drastic improvements to the piano sound quality. Around this time, there were experiments being done with the methods of stringing the piano. Eventually, a new method was developed that involved three strings per note and a special double level soundboard to allow for the fit of longer strings.

The piano has come a long way in the past 500 years. From a simple, soft instrument that was a novelty to a strong and very popular one, the piano has really come into its own.