Mikes Music Room – Music Articles

Used to be if you wanted to take piano lessons, you’d turn to your yellow pages and let your fingers do the walking.

Today, you can still let your fingers do the walking … but online!

Piano lessons for seniors are here and are online. Some are free, some paid. But there are options available to those who want to learn how to play the piano.

The first thing you want to do is identify what you want to learn. Do you like the New Age piano style? Then I humbly suggest my site (available below.) Do you want to learn jazz or classical? These too are online and are actually free.

Many seniors are actively getting involved in the online world. And as more and more do, the need to cater to this demographic group will become greater.

Here are some tips you should look for when selecting piano lessons online:

How are the lessons organized?

Many piano lessons online are formatted as a PDF file or e-book. There’s nothing wrong with this at all. In fact, it’s just an electronic book. This idea is used quite a lot in the online piano lesson world.

Then you have actual lessons online with video and audio samples. If you’re like me, you want to hear AND see what’s going on. Now, with video being easy to implement and download, you can watch your piano instructor actually give a lesson online.

And last but not least, you have something where you’re actually “live” with an instructor via webcam. While this option may intrigue some, it might not be the best use of your dollar as this type of instruction does cost money.

My recommendation? Look for lessons that have an instructor who uses video and audio samples. You can learn at your own rate and you won’t feel rushed to “complete” assignments.

Edward Weiss is a pianist/composer and webmaster of Quiescence Music’s online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Visit http://www.quiescencemusic.com now and get a FREE piano lesson!

Learn How to Play with step-by-step piano lessons

Supported by video and audio files. Rocket Piano is organized into 3 high quality books taking you on a journey from beginner to advanced in your gospel piano playing.

Click here to find out more

A key signature will appear at the beginning of a piece of sheet music. This will tell you if sharps and flats will be played in the sheet music or if no sharps and flats will be played. If you don

All right, folks, here you go: My 12 reasons why you should start learning
how to play the piano. Immediately. As in today. This very minute.

Okay, fine, finish this article first, THEN get started. And yes, I know that
there are more than just 12 reasons to play the piano. But I happen to like the
number 12.

1. Everyone should play at least one instrument. I truly believe that.
   Every person on Earth should be able to sit at SOME instrument and be
   capable of making beautiful music.
2. Playing the piano makes you feel (and look) sophisticated. Truly. No
   matter who you are or how many warts you have, you’ll just exude class the
   second you begin tickling those ivories.
3. Piano playing keeps your brain active. It’s very hard for your brain
   to rot when you consistently throw it the musical language to interpret.
4. You won’t run out of things to do when you’re bored. There’s always a
   new way to play, always a new approach to playing, and always, always,
   ALWAYS a new song to learn. (See number 8.)
5. Family members can live vicariously through you. I’m semi-serious
   about that. The reason I began taking piano lessons (back when I was 10) was
   because of grandparents who didn’t play, and over the years I’ve had
   numerous relatives enjoy playing through me. (I live to serve.)
6. People will automatically assume you’re a genius. Honestly, I’ve
   heard this a lot. People uttering “He/she plays the piano” in the same tone
   reserved for “He/she has an IQ of 174.” You just can’t help but admire
   someone playing an instrument.
7. Piano playing is good for your hands. Indeed it is. I probably have
   stronger hands/fingers than most people I know. And have you ever noticed
   the hands of a pianist? Beautiful, long, tapered fingers. Chances are that
   if you’ve ever admired someone’s hands, they play the piano.
8. Pianists never quit learning. There’s absolutely no way to memorize
   every musical piece on earth. You could learn 10 new songs a day for the
   rest of your life without scratching the surface of songs out there.
9. Piano playing is FUN. Really. It’s one of the funnest things I do.
   Think about it, why would so many of us do it if it weren’t a blast?
10. Deep down, everyone wishes they played the piano. Have you ever read
    other people’s New Year’s Resolutions lists? If you haven’t, then you’re
    just not nosy like me. No, seriously, if you haven’t, I’ll tell you which
    wish consistently pops up: “Learn to play the piano.”
11. Piano playing is SATISFYING. It’s truly one of the most satisfying
    things you can do. (Right after touching your nose with your tongue. Or so I
    hear.) There’s no feeling like playing a difficult song and playing it
    flawlessly. Quite an ego-boost.
12. Everyone loves a musician. ‘Nuff said.

Visit:

http://www.thepianopages.com

About The Author

Emily Sigers

Please visit my website,
http://www.thepianopages.com, for more articles, free piano lessons, piano
sheet music, tips, products, and lots more. Also, feel free to send me comments,
questions, or hate mail at:
emily@thepianopages.com“>emily@thepianopages.com.

Learn How to Play with step-by-step piano lessons

Supported by video and audio files. Rocket Piano is organized into 3 high quality books taking you on a journey from beginner to advanced in your gospel piano playing.

Click here to find out more

In applying any two mechanisms to one another, that which has the less power of adapting itself to the other will necessarily be first examined with regard to its inherent conditions of motion. In the present instance, the hand must accommodate itself to the keyboard of the piano. In order to do so, fully and constantly, it must take note of the limit of the capabilities of the instrument.

These capabilities must be taken full ad

The peculiarities of the mechanism of any instrument constitute in all cases a law for the application of the energy to be expended upon that mechanism. In so far as energy is correctly applied, will the machine, if in good order, give back an equivalent of work done; but in so far as the power applied is either insufficient or superfluous, will the amount of work fall, both in quality and quantity, below the standard otherwise obtainable.

As every musical instrument has that part of it which is to be played upon. Constructed with reference to the shape and motions of the hand. The various positions which the hand can assume during a performance would have to be enumerated before its extraordinary capabilities of motion and attitude could be exhausted. Compare the keyboard of the piano with the different finger-boards of violin, cello, double-bass, or with the key-area of the several kinds of wind instruments.

Of all musical instruments the piano is probably the one which calls for, in the performer, least departure from a position already natural to him. The attitude of sitting is allied with one of the hands and arms more natural and easy than that used in playing on any other instrument.

The violin demands a more constrained position of arm and wrist than is ever needed for the piano. The organ, in consequence of its requiring a great amount of work from the feet as well as from the hands, allows the performer a much less steady position and balance than does the piano.

The harp, from its peculiar form, necessitates a position of some constrain both of arms and body. And all wind instruments, from their necessarily interfering with any free movements of the head and arms, are also less adapted to afford perfect ease of posture.

The piano, on the contrary, is unusually well suited to the natural movements of the body. Its keyboard is so placed that it allows the arms and hands the most complete freedom of motion in every direction; and the attitude of the hand most suited for acting mechanically correctly on the keys considered as levers, is the same attitude into which it falls when the arm is allowed to hang naturally by the side. The angle of the elbow, when the hands are on the keys, is also that best suited to facilitate the natural movements of the muscles of the hands and arms.

Extracts taken